(de)construct

(de)construct

Watch us speak, watch us, hear us. We do, uncomfortable, though, it sometimes is, in Cera Maree Brown’s staging of her rich yet delicate play, whose title conjures the addressing of one’s multitude of selves, in order, perhaps, to define our authentic nature. Four young people embark on a series of body movements in an expression…

ODE

ODE

With a rapidly ageing population dementia has become more and more prevalent in our society; over 350,000 Australians are known to live with the debilitating condition. Karen Sibbing’s ODE offers a window into what that is like: drawing from the experience of watching her own grandmother succumb to it, she imagines a world as seen through…

The Book of Mormon

The Book of Mormon

I have noted before that one of the most delicious sounds in theatre is total silence among the audience. But this profanity-rich, joyfully-satirical work — led by an incandescent Ryan Bondy and, following the musical with every company so far, the talented A.J. Holmes —  rocks viewers through the entire running time into waves of…

Parley!

Parley!

The meaning of the title is as ambiguous as its utterers’ anonymity. In Parley! Ant and Pea are lost at sea on a boat with a broken compass and no food. As hopes for a future fade in the salt-water air of desolation the duo annoy each other with failed attempts at getting along. Recrimination…

Humpty Dumpty Daddy

Humpty Dumpty Daddy

JC Person is no different from your usual idea of a dynamic millennial. In Joel Clapham’s unflinching performance at the centre of Humpty Dumpty Daddy, drawn from his true-life story, he is an intelligent, eloquent 34-year-old with an iPhone and a suave, captivating smile. His mind, though, is somewhat more sombre. Newly separated from his wife,…

Man of the Year

Man of the Year

Full marks to 5pound theatre for opening one of the first shows for the Melbourne Fringe Festival. And it does so with voluble vigour, packing significant moments in our history over 2,000 years on a stage hardly larger than a pocket-handkerchief. Thanked for their presence the audience finds themselves as guests of a speaker: the…

Duets

Duets

The Stain, a three-women art troupe, certainly had on its mind expressions by two artistes in the creation of Duets. Conjugation, or the notion of it, is rife in Maude Davey’s eight-member cast staging, although the raunchy production turns out to be a poignant portrait of the joys and pain of human intimacy. Held together…